Lord of the Dance

The analogy to the cantatas of Bach, with their combination of grief-stricken laments and ecstatic dance forms, is this: participation in Christ means abandoning our pretenses, openly acknowledging our identities as sinners in bondage, and in the same moment realizing with a stab of piercing joy that the victory is already ours in Christ, won by him who died to save us. The action of God’s grace precedes our consciousness of sin, so that we perceive the depth of our own participation in sin’s bondage simultaneously with the recognition of the unconditional love of Christ, which is perfect freedom. We recognize that love, moreover, not from the depths of the hell we were bent on creating for ourselves, but from the perspective of the heaven that God is preparing for us. In the victorious presence of the crucified and risen One, the whole company of the redeemed will throw off every bond and join in a celebration of mutual love and joy where no one will be a wallflower and everyone will be able to dance like Fred Astaire and Michael Jackson combined. Thus “Lord of the Dance” is truly an apt title for the risen Christ and for the kingdom of God.—Fleming Rutledge, The Crucifixion, 171 (emphasis original)